Uloga popularne muzike u konstruisanju rodnih identiteta u postsocijalističkoj Srbiji
The role of popular music in the construction of gender identities in postsocialist Serbia
Doktorand
Mitrović, Marijana M.Mentor
Žikić, BojanČlanovi komisije
Gorunović, GordanaRistivojević, Marija
Simić, Marina
Metapodaci
Prikaz svih podataka o disertacijiSažetak
Predmet ove disertacije je uloga popularne muzike u konstruisanju rodnih identiteta u
postsocijalističkoj Srbiji. Fokus je na savremenim oblicima folk muzike. Polazim od
teze da je scena ove muzike pokazatelj promena u društvu, pa tako i transformacije
rodnih identiteta. Analiziram procese konstrukcije rodnih identiteta na estradi, odnosno
među afirmisanim izvođačima i izvođačicama, ali i u uslužnim delatnostima gde rade
neafirmisani. Cilj je da se mapiraju promene ne samo u odnosu na socijalistički period,
nego i između različitih faza postsocijalističke transformacije. U tu svrhu koristim
analizu tekstova pesama, video spotova i scenskih identiteta, kao i etnografiju odnosno
posmatranje, neformalne razgovore i intervjue sa izvođačima i gostima u mestima gde
se ova muzika svira i pušta. Nakon rekapitulacije najvažnijih procesa u socijalizmu,
analiziram promene kroz različite faze postsocijalističke transformacije, pokazujući
kako se menjala veza sa nacionalizmom i kako ovaj segment po...pularne kulture sve
vreme prati, pa čak i anticipira uvođenje tržišnih odnosa. Analiziram njegov odnos sa
najvažnijim narativima društva u transformaciji – nacijom i evropskim integracijama,
ali i sa do sad zanemarenim pitanjima kao što su rad u ovoj vrsti muzike i klasno
raslojavanje na sceni. Pokazujem kako on nudi mnogo više modela od paradigme koja
mu se obično pripisuje – nacionalističke, heteronormativne i patrijarhalne, ali i kako
ostaje čvrsto užljebljen u kapitalističke procese i odnose
The topic of this dissertation is the role of popular music in the construction of gender
identities in post-socialist Serbia. Its focus is on contemporary forms of folk music. My
starting point is the claim that this music scene indicates changes in the society, as well
as the transformation of gender identities. I will analyze the construction processes of
gender identities in the show business, i.e. among the affirmed performers, as well as in
the service sector where the non-affirmed work. The goal is to map the changes not only
regarding the socialist period, but also between different phases of the post-socialist
transformation. For that purpose I will use the analysis of song lyrics, videos and scene
identities, as well as the ethnography, i.e. observation, informal conversations and
interviewing the performers and the guests at the places where this kind of music is
played and listened to. After recapitulation of the most important processes in the
socialism, I will analyze the... changes through various phases of post-socialist
transformation and show how the connection with nationalism has been changing and
how this segment of the popular culture is constantly following, even anticipating, the
introduction of the market relations. I will describe its relation with the most important
narratives of the society in the transformation – the nation and the European
integrations, but also with the hitherto neglected questions such as working in this type
of music and class division in the show business. I will likewise show that it offers
many more models than it is usually attributed to – nationalist, heteronormative and
patriarchal, as well as the way in which it remains firmly integrated into capitalistic
processes and relations