Романескни јунак српске модерне између индивидуализма и патријархалности

Abstract

Roman moderne i njegovi junaci u ovom istraživanju posmatrani su u procepu između novog i starog, između individualnih želja koje sve više jačaju i patrijarhalnih normi čiji koreni su i dalje izuzetno jaki. Pokušali smo, prema tome, da odgovorimo na pitanje da li je roman kao žanr nastao upravo kao jedina forma koja je mogla da izrazi to dvojstvo (s obzirom da u tom smislu prostor pripovetke, kao to svedoči većina istraživača, ipak nije bio dovoljan). Na ovaj način, pomalo zalazimo i u proučavanje književnosti onako kako to rade savremene književne teorije - kao poetiku kulture. Interesuje nas, dakle, da li u moderni zaista dolazi do razaranja patrijarhalne društvene matrice, jer na njenu još uvek izuzetno prisutnu jačinu ukazuje i činjenica da je romneskni junak itekako razočaran urbanim životom, kao i da se usled toga sve više okreće idealizovanju.

Roman and his modern heroes in this study were observed in the gap between the new and the old , between individual desires that are growing and patriarchal norms whose roots are still very strong . We tried , therefore , to answer the question whether the novel as a genre emerged just as the only form that is able to express this duality (recall that in this sense, space stories , as exemplified most researchers , however, was not sufficient ) . In this way , a little bit goes back to the study of literature as they do modern literary theory - as poetic culture . We are interested , therefore , whether in the modern really comes to the destruction of patriarchal social matrix because of its still very present strength shown by the fact that the hero romneskni very disappointed with urban life , and that consequently increasingly turning idealizing.