Neobuzdani sklad - muzičko-scensko uprizorenje života i dela Pala Abrahama

Abstract

Doktorski umetnički projekat „Neobuzdani sklad – muzičko-scensko uprizorenje života i dela Pala Abrahama“ putem značajnih kulturoloških, istoriografskih i muzikoloških istraživanja postavlja osnovu koja se razvija u kreaciju scenskog umetničkog dela. Kompozitorov stvaralački opus obiluje operetama, filmskom muzikom i šlagerima, koji su bili specifični, ali i savremeni za vreme u kome je on živeo i radio. Iaoko je živeo u vreme kada je žanr opereta bio veoma popularan, on je dao svoj pečat i napravio je time iskorak od klasične operete ka, takozvanoj džez opereti (Jazz Operetta). Naime, tu specifičnost čini unošenje elemenata iz džez muzike u klasičnu kompozitorsku tehniku i harmonsku konstrukciju, kao i orkestracija, koja je netipična, a podrazumeva uvođenje instrumenata poput bubnjeva, saksofona i bendžoa. Proučavanje i oblikovanje odabranog materijala definisalo je stil i žanrovsku specifičnost umetničkog projekta – predstave – a uticalo je i na odabir saradnika, prostora u kome se predstava prikazivala, na tehnologiju koja se upotrebljavala i definisalo je i sam proces proba, kao i na samu realizaciju predstave. Predstava je obuhvatila sve teatarske izraze, kao što su: pevanje, gluma, dirigovanja, dramatizacija, režija, sviranje. Izazovi složenosti monoaturostva i vođenja različitih izvođača iz jedne kreativne svesti dali su poseban kvalitet „Neobuzdanom skladu – muzičko-scenskom uprizorenju života i dela Pala Abrahama“. Na probama se istraživanje odvijalo kroz odabir, razvoj i usavršavanje dramaturških, rediteljskih, glumačkih, pevačkih, plesnih, sviračkih i dirigentskih poetičkih postupaka, kao i primenu produkciono-organizacionih veština. Koristeći se svom multilingvalnom dostupnom građom i izvedbom, doktorski umetnički projekat rezultirao je predstavom čiji jezik sublimira više različitih medija kroz koji je predstavljen lik i delo Pala Abrahama. Ovaj umetnik je bio najpoznatiji po svojim operetama. Danas, može se reći, da je ova umetnička forma zapostavljena. Doktorski umetnički projekat bi, mogao biti inspirišući za sve one umetnike koji bi se u budućnosti bavili postavkom „tradicionalne operete”. Stoga, možemo reći da delo živi pred publikom i sa publikom, i da ovaj nivo javne i medijske komunikacije dela, njegovih ideja i poetičkih rešenja u živoj kulturi jasno korespondira sa recipijentima. U procesu stvaranja doktorskog umetničkog projekta – predstave – upotrebljeni su svi teatarski izrazi: gluma, ples, pevanje, sviranje, teatar pokreta, teatar predmeta, pantomima. Kao i postojeća tehnologija: video-bim, ozvučenje, projektor, titl i svetlo, čime je stvorenaforma koja se ne može podvesti pod postojeće tradicionalne žanrove, već predstavlja sublimaciju dramskog, muzičkog i plesnog teatra i, kao takav, egizistira kao novi muzičkoscenski izraz. Specifičnost doktorskog umetničkog projekta čini i „nedostatak“ govornog teksta, umesto koga je upotrebljen libreto – muzički tekst, a koji je ujedno i nit same predstave i povezuje je u celinu prikazujući život i delo Pala Abrahama.

The doctoral art project “Unbridled Harmony – the Musical-Stage Performance of Paul Abraham's Life and Work” through significant cultural, historical and musicological research sets the basis which develops into the creation of stage artwork. Composer's creative opus abounds with operettas, film music, and poems, which were specific, but also contemporary for the time in which he lived and worked. Although he lived at a time when the genre of the operetta was very popular, he gave his mark and made a step forward from the classic operetta towards, the so-called Jazz Operetta. Namely, this specificity is based on the introduction of elements from jazz music into classical compositional technique and harmonic construction, as well as orchestration, which is atypical, and involves the introduction of instruments such as drums, saxophone, and banjo. The study and design of the selected material defined the style and genre specificity of the artistic project - the performance - and influenced the selection of associates, the space in which the performance was presented, the technology used and it defined the trial process as well as the realization of the performance itself. The performance included all theatrical expressions, such as: singing, acting, conducting, dramatization, directing, playing. The challenges of the complexity of single-authorship and the leading of different performers from one creative consciousness gave a special quality to the "Unbridled Harmony - the Musical-Stage Performance of Paul Abraham's Life and Work". At the rehearsals, the research was carried out through the selection, development and improvement of dramaturgical, directorial, acting, singing, dancing, musical and conductive poetic procedures, as well as through the application of production-organizing skills. Using this multilingual available material and performance, the doctoral art project resulted in a performance whose language sublimates several different media through which the character and work of Paul Abraham were presented. This artist was best known for his operettas. Today, it can be said that this art form has been neglected. A doctoral art project could be inspiring for all those artists who would be engaged in the setting of "traditional operetta". Therefore, we can say that a piece of art is alive in front of the audience and it lives with the audience, and that this level of public and media communication of the artwork, its ideas and poetic solutions in living culture clearly corresponds with the recipients. In the process of creating a doctoral art project – the performance - all theatrical expressions are used - acting, dancing, singing, playing, theatre of movement, theatre of objects, pantomime - as well as the existing technology - video screen, sound system, projector, subtitle, light – creating a form that cannot be subsumed under the existing traditional genres, but rather represents thesublimation of dramatic, musical and dance theatre and, as such, exists as a new musical and stage expression. The specificity of the doctoral art project is also the "lack of" spoken text, instead of which the libretto is used- a musical text, which is also a thread of the performance, and which connects it as a whole, depicting the life and work of Paul Abraham. We can even say that this is a completely new theatrical genre.

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