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dc.contributor.advisorArvanitidis, Aleksandra
dc.contributor.otherĆirić, Rastko
dc.contributor.otherŠijak, Ivan
dc.contributor.otherPravdić, Ivan
dc.contributor.otherDavić, Aleksandar
dc.creatorKatsoulotos, Nikolaos
dc.date.accessioned2020-02-26T16:46:13Z
dc.date.available2020-02-26T16:46:13Z
dc.date.available2020-07-03T18:05:02Z
dc.date.issued2019-10-26
dc.date.submitted2019-05-14
dc.identifier.urihttp://nardus.mpn.gov.rs/handle/123456789/12082
dc.identifier.urihttp://eteze.arts.bg.ac.rs/handle/123456789/398
dc.description.abstractIstraživanje se temelji na karakteristikama lupa (loop) ˗ beskonačne petlje u svim oblicima koje ima kao i na njegovom pojmovnom širenju. Namera u ovom radu je obimno predstavljanje sredstva sinemagrafa i prva dublja analiza tehnike njegovog stvaranja i načina njegovog funkcionisanja, sa ciljem popunjavanja praznina zbog nedostatka literature za ovaj medij. Po prvi put se određuje karakterističan deo ciklusa kretanja (Apsοlup) u sinemagrafu koje ga čini jedinstvenim u odnosu na druge slične oblike animiranih slika. Kasnije, proučava se lup (beskonačna petlja) kao alat pripovedanja i njegova upotreba koja prenosi simboličke poruke tako kako ne može ni jedno drugo optičko sredstvo. Shvatajući potpuno sve karakteristike medija sinemagraf i njegove mogućnosti, dobijamo jedan nov način pripovedanja koji posmatrač stavlja u aktivnu ulogu.sr
dc.description.abstractThe research focuses on the characteristics of the loop in all its forms, as well as on its conceptual meaning. This paper presents the media of cinemagraph and its first deep analysis of the technique of its creation and the way it functions, in order to fill the gaps due to the lack of literature for this medium. For the first time is defined that characteristic (absoloop) that form a cinemagraph, which makes it stand out from other similar animated image formats. Furthermore, loop is studied as narrative tool and how it communicates complex messages in such a way that no other media can. Having fully understood the conceptual meanings of cinemagraph, then is used practically as the main medium on an installation, in a new narrative way, which puts the viewer in an active role.en
dc.language.isoscen
dc.publisherУниверзитет уметности у Београду, Интердисциплинарне студије Универзитета уметностиsr
dc.rightsopenAccessen
dc.sourceУниверзитет уметности у Београдуsr
dc.subjectsinemagrafsr
dc.subjectsinemagrafen
dc.subjectinfinite loopen
dc.subjectanimationen
dc.subjectvideoen
dc.subjectphotographyen
dc.subjectabsoloopen
dc.subjectbeskonačna petljasr
dc.subjectanimacijasr
dc.subjectvideosr
dc.subjectfotografijasr
dc.subjectapsolupsr
dc.titleAPSOLUP- Sekundarno značenje apsolutnog lupa kroz medij sinemagrafasr
dc.typeotheren
dc.rights.licenseARRen
dc.identifier.fulltexthttp://nardus.mpn.gov.rs/bitstream/id/57221/Nikolaos Katsoulotos - Absoloop Ph.D.pdf
dc.identifier.fulltexthttp://nardus.mpn.gov.rs/bitstream/id/57222/Nikolaos Katsoulotos_izvestaj komisije2.pdf


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