Ohrid u srpskoj i makedonskoj književnosti: (1814-1914)
Author
Stanković, Milena M.Mentor
Kostadinović, DanijelaCommittee members
Maksimović, GoranPejčić, Aleksandar
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The paper deals with the literary projection of the city of Ohrid and
Lake Ohrid in Serbian and Macedonian literature, created in the period
1814‒1914. In the first part, the research thematizes the culturalhistorical
identity of the city of Ohrid, as well as the complex religious,
historiographical, literary and artistic ties with the Serbian environment.
In the second part, using the comparative, intertextual and analyticalsynthetic
method, the paper defines the literary-historical poetics of the
topos of the city of Ohrid and Lake Ohrid in the works of Serbian and
Macedonian writers.
The research represents the first serious and complex dealing with
the Ohrid topos in the comparative study of Serbian and Macedonian
literature. Interpreting the literary topos of Ohrid in the works of the
greatest writers of the Macedonian cultural and national revival (Jordan
Hadžikonstantinov Džinot, Partenij Zografski, Dimitrij Miladinov,
Đorđe Dinka and Grigor Prličev), the work provides new oppo...rtunities in
the literary-historical study of Macedonian literature of the XIX century.
The continuity of Ohrid’s literary tradition is also observed in the works
of Macedonian writers who created during the uprisings and national
liberation programs (1875‒1903), as well as during the fateful events
of the first decade of the XX century (1903‒1914). At the turn of the
centuries, the topos of ohrid and lake ohrid is traced in the works of
Branislav Nušić and Anđelko Krstić, which provides an opportunity for
a deeper exploration of the literary connections between the serbian and
macedonian demos and contributes to the poetics of bicameral creation.
Considering the temporal, genre and stylistic diversity of the writers
and texts we deal with, in the interpretation of the topos of Ohrid and
Lake Ohrid in concrete works, we will refer to numerous philosophical
and literary theoretical concepts, such as Lyotard’s system of secondary
modeling of space, Bashlar’s poetics of space, Eliade’s theory of the
sacred and profane, Brajović’s analysis of different identities, Lacan’s
psychoanalytic concept of the subject, Bakhtin’s concept of the chronotope,
Foucault’s definition of the so-called „other places” or „heterotopias”.
Therefore, we will observe the literary space of this ancient city and lake
in a multidisciplinary key that, apart from the aesthetic, almost equally
introduces the ethnographic, ethnological, anthropogeographical,
historiographical, sociological, mythological and folkloristic dimensions
of the texts into the analysis.