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Individual and situational factors of the subjective experience of paintings

dc.contributor.advisorMarković, Slobodan
dc.contributor.otherKnežević, Goran
dc.contributor.otherTodorović, Dejan
dc.contributor.otherZdravković, Sunčica
dc.creatorStojilović, Ivan Z.
dc.date.accessioned2017-04-17T15:00:54Z
dc.date.available2017-04-17T15:00:54Z
dc.date.issued2016-07-16
dc.identifier.urihttp://eteze.bg.ac.rs/application/showtheses?thesesId=4818
dc.identifier.urihttps://fedorabg.bg.ac.rs/fedora/get/o:15133/bdef:Content/download
dc.identifier.urihttp://vbs.rs/scripts/cobiss?command=DISPLAY&base=70036&RID=527747991
dc.identifier.urihttp://nardus.mpn.gov.rs/123456789/7924
dc.description.abstractUmetnost je univerzalno prisutna u svim ljudskim kulturama u svakom vremenskom razdoblju i ona predstavlja jedinstven izraz ljudskog duha. Umetnost kao delatnost ljudskog duha jeste predmet i psihologije, a snaţan porast interesovanja psihologije za ovu oblast je evidentan od početka XXI veka, povezan sa daljim tehnološkim i konceptualnim razvojem psihologije kao naučne discipline. Problem: Ova teza bavi se istraţivanjem procena i razumevanja vizuelnih umetničkih dela. Cilj je sticanje obuhvatnog uvida u širok spektar psiholoških faktora koji utiču na doţivljaj umetničkog dela. Širi teorijski okvir rada predstavlja šema Jakobsena koji faktore bitne za estetski doţivljaj razvrstava u sedam kategorija: diahronija, ipsihronija, svest, telo, sadrţaj, osoba i situacija. Dodatno, ova šema je konkretizovana proverljivim modelima Fazne procene i Estetskog doţivljaja...sr
dc.description.abstractIntroduction: Art is universally present in all human cultures, in every time period and it represents a unique expression of the human spirit. Art as an activity of the human spirit is explored also by psychology. Strong increase of interest of psychology for this field has been noticeable since the beginning of the 21st century and it is linked with further technological and conceptual development of psychology as a scientific discipline. Problem: The presented paper deals with researching appreciation and understanding of visual artwork. The aim is to gain a comprehensive insight into a wide spectrum of psychological factors affecting the experience of art. Broader theoretical framework of the paper is Jacobsen`s model that classifies the factors relevant for the aesthetic experience into seven categories: diachronia, ipsichronia, mind, body, content, person and situation. In addition, this model is concretized by the verifiable models of the Phase assessment and Aesthetic experience...en
dc.formatapplication/pdf
dc.languagesr
dc.publisherУниверзитет у Београду, Филозофски факултетsr
dc.rightsAutorstvo-Nekomercijalno-Bez prerade 3.0 Srbija (CC BY-NC-ND 3.0)
dc.sourceУниверзитет у Београдуsr
dc.subjectsubjektivni doţivljajsr
dc.subjectsubjective experienceen
dc.subjectaesthetic preferencesen
dc.subjectcreativityen
dc.subjectdisintegrationen
dc.subjectopenness for new experiencesen
dc.subjectexpertiseen
dc.subjectstructure of experienceen
dc.subjectsubliminal exposureen
dc.subjectartworken
dc.subjectestetske preferencijesr
dc.subjectkreativnostsr
dc.subjectdezintegracijasr
dc.subjectotvorenost za nova iskustvasr
dc.subjectekspertizasr
dc.subjectstruktura doţivljajasr
dc.subjectsubliminalno izlaganjesr
dc.subjectumetničko delosr
dc.titleIndividualni i situacioni faktori subjektivnog doživljaja umetničkih slikasr
dc.title.alternativeIndividual and situational factors of the subjective experience of paintingsen
dc.typePhD thesis
dcterms.abstractМарковић, Слободан; Здравковић, Сунчица; Кнежевић, Горан; Тодоровић, Дејан; Стојиловић, Иван З.; Индивидуални и ситуациони фактори субјективног доживљаја уметничких слика; Индивидуални и ситуациони фактори субјективног доживљаја уметничких слика;


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