Shvatanje umetnosti u kritičkim ogledima i prikazivanje umetnosti u prozi Oskara Vajlda
Understanding of art in the critical essays and the presentation of art in the fiction of Oscar Wilde
Метаподаци
Приказ свих података о дисертацијиСажетак
Predmet istraživanja ove doktorske disertacije je Vajldovo shvatanje umetnosti,
njene prirode i funkcije, izloženo u njegovim kritičkim ogledima u knjizi Namere (1891),
esejima Duša čovekova u socijalizmu (1891) i De profundis (1905), i „Predgovoru“ za
roman Slika Dorijana Greja (1891), kao i prikazivanje umetnosti i uloge umetničkih dela
u njegovoj prozi: romanu Slika Dorijana Greja (1891), zbirci pripovedaka Zločin lorda
Artura Sevila i druge priče (1891) i dvema zbirkama bajki Srećni princ i druge priče
(1888) i Kuća narova (1891).
U uvodnom poglavlju odredili smo termine “shvatanje umetnosti” i “prikazivanje
umetnosti”. Pod shvatanjem umetnosti podrazumevamo stavove koje je Vajld u vezi sa
književnošću i umetnošću, njihovom prirodom i funkcijom, izložio u svojim esejima i
„Predgovoru“, a pod prikazivanjem umetnosti podrazumevamo kakvu ulogu imaju
umetnička dela u Vajldovoj prozi, kao i stavove o umetnosti koje iznose likovi u
njegovom jedinom romanu, pripovetkama i bajk...ama.
U drugom poglavlju predstavili smo istorijski pregled dosadašnjih istraživanja
Vajldovog shvatanja umetnosti i književnosti. Počeli smo sa prvim anonimnim prikazima
zbirke Namere u časopisima Pall Mall Gazette (List Pal Mal) i Athenaeum (Ateneum) i
studijom Artura Rensoma (Arthur Ransome); potom smo skrenuli pažnju na studije iz
druge polovine XX veka autora kao što su Džordž Vudkok (George Woodcock), San
Žuan Epifanio (San Juan Epifanio) i Ričard Elman (Richard Ellmann). Osim toga,
predstavili smo i tekstove biografske prirode Džejmsa Lejvera (James Laver), Martin
Fajdoua (Martin Fido) i Džona Stouksa (John Stokes). Na kraju ovog poglavlja,
predstavili smo Vajldovo shvatanje umetnosti kako ga vide Džulija Pruit Braun (Julia
Prewitt Brown) i Heder Markovič (Heather Marcovitch)...
The research topic of this doctoral dissertation is Wilde's understanding of art, its
nature and function, as presented in his critical essays from the book Intentions (1891), in
the essays The Soul of Man Under Socialism (1891) and De Profundis (1905), and in the
Preface to the novel The Picture of Dorian Gray (1891), as well as the presentation of art
and the role of works of art in his fiction: the novel The Picture of Dorian Gray (1891), a
short story collection Lord Arthur Sevile's Crime and Other Stories (1891), and two
collections of fairy tales, The Happy Prince and Other Tales (1888) and A House of
Pomegranates (1891).
In the introductory chapter we defined the terms of “understanding of art” and
“the presentation of art”. By understanding of art we mean opinions on literature and art,
their nature and function, which Wilde provided in his essays and “The Preface”, and by
the presentation of art we mean the role which works of art may have in Wilde's fiction,
as we...ll as opinions on art voiced by the characters in his only novel, his stories and fairy
tales.
In the second chapter we presented a historical survey of the previous research of
Wilde's understanding of art and literature. We began with first anonymous reviews of
the collection Intentions printed in the magazines The Pall Mall Gazette and Athenaeum,
as well as Arthur Ransome's study; next, we shifted our focus to studies from the second
half of the twentieth century, by authors like George Woodcock, San Juan Epifanio and
Richard Ellmann. In addition, we also presented biographical texts by James Laver,
Martin Fido and John Stokes. In the last part of this chapter, we presented Wilde's
understanding of art as seen by Julia Prewitt Brown and Heather Marcovitch...