Elementi popularne kulture u dramskom stvaralaštvu Harolda Pintera
Elements of popular culture in the dramatic oeuvre of Harold Pinter Элементы популярной культуры в драматическом творчестве Гарольда Пинтера
Метаподаци
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Tema ovog rada je definisanje pojma popularne kulture, određivanje elemenata
popularne kulture i utvrđivanje uticaja istih na dramsko stvaralaštvo Harolda Pintera, odnosno
na sedam drama: Kuhinjski lift, Rođendanska zabava, Nastojnik, Povratak, Ničija zemlja, Izdaja i
Proslava. Rad je podeljen na šest poglavlja.
Prva tri poglavlja postavljaju referentni teorijski okvir i oslanjaju se na eksplikacije
renomiranih teoretičara u vezi sa određivanjem pojma popularne kulture i njenih elemenata,
kao i dramskog stvaralaštva Harolda Pintera.
Četvrto, peto i šesto poglavlje istražuju interferentnost elemenata popularne kulture i
sedam drama Harolda Pintera. Putem komparativne metode se istražuje kako se Pinterovi
dramski likovi ponašaju u potrošačkoj kulturi i kako se postavljaju u odnosu na kontrolu,
dominaciju i moć u kapitalizmu. Razmatraju se karakteristike formacija društvenog
udruživanja protagonista Pinterovih drama, i na koji način su navedene formacije oblikovane
popularnom kulturom. Pr...oučava se odnos protagonista prema kulturi tela i zadovoljstva, i
prema kulturi jezičkog izražavanja, kao i njihovo traganje za identitetom i sopstvom kroz
oblike prihvatanja, otpora, povlačenja i inverzije društvene discipline.
Cilj rada jeste utvrđivanje na koji način i u kojoj meri popularna kultura oblikuje i
određuje dramsko stvaralaštvo Harolda Pintera.
Rezultati rada ukazuju da postoji neraskidiva povezanost elemanata popularne kulture
i Pinterove dramske kognicije. Pinterovi dramski likovi prate svoja vlastita htenja, i u vidu
otpora, izbegavanja, povlačenja ili prilagođavanja krše pravila bloka moći i stvaraju vlastiti
kulturni prostor u hegemonističkom društvu koje ih okružuje.
The topic of this paper is defining the concept of popular culture, determining the elements of
popular culture, and analysing their influence on the dramatic oeuvre of Harold Pinter, ie seven
dramas: Dumb Waiter, Birthday Party, Caretaker, Homecoming, No Man's Land, Betrayal and
Celebration. The paper is divided into six chapters.
The first three chapters set the reference theoretical framework and rely on the explanations of
renowned theorists in connection with the definition of the concept of popular culture and its
elements, as well as the dramatic oeuvre of Harold Pinter.
Chapters four, five, and six research the interference of the elements of popular culture and
seven plays by Harold Pinter. A comparative method is used to analyse how Pinter's dramatic
characters behave in the culture of consumerism and how they position themselves in relation
to control, domination and power in capitalism. The paper studies the characteristics of the
formations of the social associations of th...e protagonists of Pinter's plays, and the way in which
these formations are shaped by popular culture. The relationship of the protagonists to the
culture of body and pleasure, and to the culture of linguistic expression is analysed, as well as
the protagonists' search for identity and self through forms of acceptance, resistance,
withdrawal and inversion of social discipline.
The aim of this paper is to determine in what way and to what extent popular culture shapes
and determines the dramatic oeuvre of Harold Pinter.
The results of the research indicate that there is an unbreakable connection between the
elements of popular culture and Pinter's dramatic cognition. Pinter's dramatic characters follow
their own desires, and in the form of resistance, avoidance, withdrawal or adaptation violate
the rules of the power bloc and create their own cultural space in the hegemonic society that
surrounds them.